Import your Canon VIXIA HF R40, HF R42, HF R400, HF. ( Note: Click here for OS X 10.5) How to transcode Canon VIXIA AVCHD to ProRes 422 for FCP6/7/X Step 1: Install and launch this MTS Converter for Mac. The programs can be applicable for various models like Canon VIXIA HF R40, HF R42, HF R400, HF M30, M300, HF M500, HF M40, HF M400 and more.Both Panasonic and Sony released the first consumer AVCHD camcorders in spring of 2007. Canon LEGRIA HF R36 IXIA HF R306 VIXIA HF R800 HF M56 VIXIA HF M500 VIXIA HF.Favorable comparisons of AVCHD against HDV and XDCAM EX solidified perception of AVCHD as a format acceptable for professional use. Related specifications include the professional variants AVCCAM and NXCAM.Accessory USA HDMI Audio Video Lead Cable Cord for Canon Vixia HF-R30 HF. I am considering buying your Canon Vixia HF M31 32gig Dual Flash Memory video camera, and I have two - Answered by a verified Camera and Video Technician Rick, Fortunately for me, I found that on the Canon website for this camera, the stated video recording platform is 'MPEG4-AVC / H.264', exactly what I Developed jointly by Sony and Panasonic, the format was introduced in 2006 primarily for use in high definition consumer camcorders. The M500 camera shoots videos in. It is H.264 and Dolby AC-3 packaged into the MPEG transport stream, with a set of constraints designed around the camcorders.The Canon VIXIA HF M500 Full HD Camcorder is a 1920 x 1080 high definition camera which records Full HD video directly to a removable SD/SDHC/SDXC memory card up to 64GB for fast and easy sharing of memories.
Slide shows are prepared from a sequence of AVC still frames, and can be accompanied by a background audio track. The menu navigation system is similar to DVD-video, allowing access to individual videos from a common intro screen. Stereo and multichannel surround (5.1) are both supported.Aside from recorded audio and video, AVCHD includes many user-friendly features to improve media presentation: menu navigation, simple slide shows and subtitles. For audio compression, it supports both Dolby AC-3 (Dolby Digital) and uncompressed linear PCM audio. File organization on Panasonic and Canon solid-state AVCHD camcordersFor video compression, AVCHD uses the H.264/MPEG-4 AVC standard, supporting a variety of standard, high definition, and stereoscopic (3D) video resolutions. The new video modes require double the data rate of previous modes.AVCHD and its logo are trademarks of Sony and Panasonic. ![]() Copying files from an AVCHD camcorder or from removable media can be performed faster than from a tape-based camcorder, because the transfer speed is not limited by realtime playback.Just as editing DVCPRO HD and HDV video once demanded an expensive high-end computer, AVCHD editing software requires powerful machines. Removable media like SDHC and Memory Stick cards or DVDs can be read on a computer directly. AVCHD is compatible with the Blu-ray format and can be authored without re-encoding on Blu-rays or DVDs, though not all Blu-ray Disc players are compatible with AVCHD video authored on DVD media, a format known as AVCHD disc.AVCHD recordings can be transferred to a computer by connecting the camcorder via the USB connection. Following a standard agreed upon by many still camera manufacturers, solid-state camcorders have a root-level DCIM directory for still images. Solid-state Panasonic and Canon camcorders nest the AVCHD directory inside the PRIVATE directory. On the HDD-based Canon HG10 camcorder the BDMV directory is located in the AVCHD directory, which is placed at the root level. For some models this is the only recording mode offered.AVCHD-SD is used in the shoulder-mount Panasonic HDC-MDH1, as well as on its North American AG-AC7 cousin. AVCHD 1080i is available on most AVCHD camcorders. The licensing body of the specification defines a variety of labels for products compliant with specific features.Most AVCHD camcorders support only a handful of the video and audio formats allowed in the AVCHD standard.AVCHD supports both standard definition (AVCHD-SD) and high definition (AVCHD 1080i) interlaced video. Improvements in multi-core computing and graphics processor acceleration bring AVCHD playback to mainstream desktops and laptops.AVCHD supports a variety of video resolutions and scanning methods, which was further extended with the 2011 amendment of the specification. In particular, Progressive segmented frame (PsF) is utilized in some Panasonic (25p Digital Cinema), Canon (PF25, PF30) and Sony camcorders. Material recorded for interlaced presentation may exhibit combing or ghosting when it is rescaled, filmed out or watched on a computer or another progressive-scan device without proper deinterlacing.Some AVCHD 1080i camcorders can capture progressive video and record it within interlaced stream borrowing techniques from television industry. AVCHD-SD can be played on a Blu-ray Disc player without re-encoding.Interlaced video had been originally designed for watching on a cathode-ray tube television set. AVCHD-SD is not compatible with consumer DVD players, because it employs AVC video encoding instead of MPEG-2 Part 2. Several models from JVC like the consumer camcorders GZ-HM650, GZ-HM670 and GZ-HM690 as well as the professional camcorder JVC GY-HM70 can record AVCHD-SD video. Canon Vixia Hf M500 Video Converter 720P Video RecordingIn 2010, Panasonic introduced a new lineup of consumer AVCHD camcorders with 1080-line 50p/60p progressive-scan mode (frame rate depending on region). Frame rates of 25 frames/s and 30 frames/s are not directly available in 720p mode, but can be simulated with frame repeating, when every frame is either repeated twice or a special flag in the video stream instructs a decoder to play every frame twice to adhere to output rate of 50 or 60 frames/s.Many of the digital compact cameras made by Panasonic, such as the DMC-ZS3/DMC-TZ7, DMC-FT1, DMC-FZ35/DMC-FZ38, and DMC-ZS-7/TZ-10 offer 720p video recording with effective frame rate of 25 or 30 frames/s in a format called AVCHD Lite (see below).Until the advent of AVCHD Progressive mode, native progressive-scan video for 1080-line resolution had been available only in 24 frames/s variant. Most editing tools treat progressive video recorded within an interlaced stream as interlaced, though some editing systems and most standalone Blu-ray Disc players are capable of recognizing the pulldown pattern to recover the original frames using the process known as inverse telecine.Since the very beginning, the AVCHD specification had supported 720-line progressive recording mode at frame rates of 24 and 60 frames/s for 60 Hz models and 50 frames/s for 50 Hz models. In 2011, Sony introduced consumer and professional AVCHD models capable of AVCHD Progressive recording. This mode uses the same AVCHD folder structure and container files for storing video, with the maximum bitrate of 28 Mbit/s. In 2011, this mode was officially included into the AVCHD specification as part of 2.0 addendum, and has been called AVCHD Progressive. To reduce camcorder size, manufacturers opted for an 8 cm disc, sometimes called miniDVD. Some professional models allow recording uncompressed linear PCM audio.Conventional 12 cm disc (left) compared to 8 cm disc (right)When the AVCHD standard was first announced, recordable DVD was the only recording medium. In practice, data rates of 256 kbit/s and 384 kbit/s have been observed. Audio data rate can range from 64 kbit/s to 640 kbit/s. Stereo and multichannel audio is supported. Smash emulator macDiscs can be used for long-term storage of recorded video. Recorded disc can be played back in most Blu-ray Disc players. DVDs are familiar to most consumers, thus considered user-friendly. The AVCHD specification limits data rate for DVD-based AVCHD camcorders to 18 Mbit/s, but no DVD-based AVCHD camcorder manufactured to date is capable of recording at data rate higher than 12 Mbit/s (Canon, Sony) or 13 Mbit/s (Panasonic). AVCHD DVDs can only be played back on DVD/Blu-ray players specifically designed to do so. To use both sides of a double-sided disc it must be flipped over, because camcorders have pickup from one side only. Double-layer recording is less robust than single-layer recording. DVDs must be "finalized" to play back on set-top players (though DVD-RWs can be unfinalized again). Rewritable DVDs cost more than write-once discs.
0 Comments
Leave a Reply. |
AuthorMarco ArchivesCategories |